Maybe in a couple more months there’d be another cut and then I’d watch that and go back to the studio. I’d watch those, go back to the studio, work on some stuff. Then there were early cuts of the full film. Most of them were halfway finished, but I’d get an idea and just really draw inspiration from those. Metro Boomin: They would send me packs of scenes. How did your collaboration begin? Did they specify for which scenes they wanted songs? Metro Boomin’ “Spider-Verse” character (Courtesy Columbia Pictures/Sony Pictures Animation) It would get you inside these people’s heads, especially a kid. Those songs, they give you the opportunity to experience the internality of the characters. Phil Lord: You want the record to reflect what Miles would listen to. Also, a lot of his music is about superheroes. So it was easy for me to recognize the same thing with this franchise, that, wow, whoever’s behind that really put their heart in the details and just everything into it.Ĭhris Miller: He’s a thoughtful and emotional person and you can tell he thinks about things really deeply. And that’s how I approach music: I focus on making great stuff rather than just trying to make a commercial success. It’s widely acclaimed from all walks of life - people really respected it.

Metro Boomin: Respect to its dedication to the art. Dig into the album and our rankings of all 25 tracks filling the LP below.What resonated with you in “Spider-Man: Into the Spider-Verse” that made you want to produce the soundtrack to its sequel? Metro and Future take out the Tesla Cyber truck for a victory lap with We Still Don’t Trust You. Louis native got control of them once again after scammers briefly stole his identity at the top of April. The super producer had his social media accounts hacked but fortunately, the St. (He reached the summit as a co-producer and co-writer on Migos’ “Bad & Boujee” and The Weeknd’s “Heartless”).įuture has laid low in the time since but the last few weeks have been turbulent for Metro. “HIP HOP IS ALIVE AND WELL #WEDONTTRUSTYOU,” Metro wrote on social media after learning “Like That” had notched him his first No. “Like That” ended up drawing 59.6 million streams and 5.6 million radio airplay audience impressions and sold 9,000 in the week ending March 28, according to Luminate. 1 on the Billboard Hot 100 and earned the most streams of any song in a week’s span in over a year. Kendrick Lamar dropped an atomic bomb on the rap game with his guest appearance on “Like That” where he took aim at J. “ALL PURELY OFF STREAMS NO PHYSICALS NO BUNDLES JUST GREAT MUSIC AND EMBRACE FROM YOU ALL!! THANK YOU!!!! #WETRUSTYOU #WEDONTTRUSTTHEM,” Metro wrote on X after the project reached No. The rapper-producer combination made plenty of noise with We Don’t Trust You last month, which topped the Billboard 200 with 251,000 total album-equivalent units in the week ending March 28, per Luminate. Guest appearances are made by The Weeknd, J. Young Metro and Pluto look to keep their winning streaks alive with the second serving arriving on Friday (April 12) and the LP includes two discs with 25 new tracks in total. Metro Boomin and Future are spinning the block for another round as the Atlanta duo has unleashed their We Still Don’t Trust Youalbum three weeks after their first offering.

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